Showing posts with label Tea. Show all posts
Showing posts with label Tea. Show all posts

Monday, November 20, 2017

Steamy! Tango With Chasen



How are the art of Argentinian Tango  like Chado?

Yes, both are steam driven!

Both require precision and practice.

Then there are the choreographic steps that must be learned and executed "naturally" (as Matsumoto sensei always reminds me) as if one is born into the culture, and then, over at least one lifetime, they must be refined.

in addition, there are rules of behavior among practitioners, whether at a chaji or a milonga,  on native soil or imported into one's homeland, that govern these intimate but social endeavors.

The fact was not lost on me when looking back on my visit to the ultimate Japanese "Tango", the current head of Tanimura chasen makers of Takayama, the 20th in his lineage to inherit the title.

After more than 30 years of the practice, I finally have witnessed the process of making a chasen by an expert craftsman in his home workshop / studio.  A video may be seen from his website!

As promised by many folks who tried to dissuade me from venturing out to find such as person, the way to the region where 99% of chasen are made requires a train and long taxi ride. So we did just that to tour Tango's "performance".



I had a chance to shake his hand which is that of a man who uses them to work with materials and tools that are not kind to the skin. Sherlock Holmes would be fascinated, maybe befuddled!

In addition to watching his deft handling of relatively few tools (mostly ordinary; one handle covered in a golf club grip wrap), he used a relatively new device that helped him hold the bamboo steady as he slowly and carefully shaved more and more material of the tines.























A copy of his English language hand-out about the process is here:

 The process is pretty straight forward. Skill and more skill. Experience and more experience. Bamboo from the finest groves aged appropriately to meet the standards of the craftsman's clients, the many different schools of tea each of which seeks perfection in its whisking. One whisk per gathering is usual. (See earlier postings about chasen kuyo, the annual gathering of tea practitioners to show appreciation for the hard work in creating the tool of the trade by dedicating a used chasen at a temple.)
1. removing the outer skin of the chosen piece of bamboo



2. making 16 cuts with an ordinary carving knife (like one for chashaku cutting)

3. separating the 16 basic cut sections

4. removing the inner pulp from each tine.

5. snipping each of the 16 at least 4x and then pulling the thinner ones away from the larger with fingers


6. scraping more material from each one of the thinnest tines

7. separating the inner and outer sections and more refining shape


9. once the string has fixed the inner and outer sections, more refining each tine. the black is a rolled piece of stiff paper.

10. myriad versions are available.

11. colored strings can be added to fit the client's request. There have been sports team colors. This for an international chakai for Urasenke Midorikai.



Some additional take-aways:
1. The quality of bamboo is everything. The real smokey colored ones (not dyed!) are more expensive because there is less material available every day. Fewer old buildings are using open flames inside.
2. The curlicues at the end of some commercially crafted chasen do nothing to help make tea or preserve the whisk.
3. Don't count the 100 tines (for usucha), as there may be more or less. Ditto on the others
4. Wider tines, not just fewer, make better koicha.
5. About 10 folks in his studio make about a total of 30 chasen a day on average.
6. 3 wraps of cord = usucha; 4 wraps = koicha whisks.
7. To keep the center tines in shape, twist a few times in each direction and use a form when wet.






 What does it mean to be a 20th generation heir? It means sustaining many long term relationships over time with clients!











Meiji era box was used to deliver whisks to the Imperial court.














It also means that your home and workshop may have been your grandfather's and even beyond that. Thus the Tanimura garden is beautiful and reflective of the care that this family of craftspeople has for tradition.







P.S. Thanks to John Larissou in the Bay Area for making these nifty caps many years ago.                                                          I passed mine on to Tango, who said he'd wear it for golf!





"Buddhist Ceremonial Tea" Exhibition @ Chado Research Center, Kyoto


Next time you're in a tea gathering, imagine that osaki-ni is coming from one of those rambunctious arhats! But which one? There are many from which to chose!

Perhaps your otemae chodai itashimasu is directed toward a venerable immortal!

The exhibition "Buddhist Ceremonial Tea" which ends a dual installation run December 3 at Urasenke's Chado Research Center, will help you truly conjure up the power of camelia sinensis through time and space. On view are many mandalas, diagrams for ritual altars, dogu from by-gone eras that venerated ocha in its rightful place -- the traditional Chinese pharmacopoeia -- for its medicinal as well as, perhaps, magical properties. No wonder that many of these objects are National Treasures or Important Cultural Properties.

Thanks to Gretchen Mittwer for translating the exhibition introduction (Japanese only) that was placed on the gallery foyer presented here for your (and my!) edification. We need more of these hand-outs and Romanized transliterations if not also translations of objects on display in Kyoto museums.

In addition to items from the Konnichian Library and Chado Research Center, lenders to the exhibition include Saikyo-ji, Honkoku-ji, Shomyo-ji (Kanagawa Prefectural Kanazawa-Bunko Museum), Rozan-ji, Sanzen-in, Daigo-ji, Kakakura-ji of Hohaku-in, Ryosoku-in, Daitoku-ji, Tofuku-ji, Ryosoku-in, Sennyu-ji, Hasadera Noman-in, and Hogon-ji temples; Kitano Tenmangu shrine, National Museums of Tokyo, Nara and Kyoto;  Kyoto and Ritsumeikan (Fujii Eikan Bunko Collection) universities; as well as Sakyo Ward Kuta Region Self-Gov. Promotion Assn., Kyoto Institute Library and Archives; and Nezu and Seikado Bunko Art museums.








Tuesday, May 19, 2015

Review: The Korean Way of Tea: An Introductory Guide

The Korean Way of Tea: An Introductory Guide

by Brother Anthony of Taizé and Hong Kyeong-Hee
(2007. Univeresity of Hawai'i Press. Honolulu.)


Reviewed by Lauren W. Deutsch 
KYOTO JOURNAL 71

LAtea“Too fussy,” observed a member of the audience watching the formal presentation of the “Korean Tea Ceremony” at the consulate’s culture center in Los Angeles. The demonstration by members of the local Korean tea culture group was consciously but gracefully paced and helpfully narrated by a young woman dressed in hanbok, traditional jacket and skirt. A grass mat was spread in front of a display of a “woman’s room” of a literati class family, a landscape painted screen stood to one side and gayagum music filled the air. Having studied chanoyu, Japanese tea ceremony, for 25 years, I can attest that the preparation effort seemed anything but “fussy”. In fact, it looked particularly natural in its economical movements and resulted in a few sips of yellowish liquid that tasted warm and soft on the palate. Not fussy at all.
masterKorea has had a “Way” of tea but it hasn’t been widely seen, much less described or studied by foreigners. This new guidebook full of color illustrations, created by Brother Anthony and Hong Kyeong-Hee and published by Seoul Selection (available online), is a welcome edition to one’s tea or Korean culture library.
The book is a labor of love produced by two simple, cultured gentlemen whose relationship has been refreshed again and again over cups of tea. Having enjoyed tea with them in Mr. Hong’s Anguk-dong residence, I could imagine these two literati having met centuries ago, the former a renowned translator of Korean poetry and literature into English and the latter an unassuming scholar / teacher of letters.
prepBeautifully illustrated and filled with poetry, history, science and anecdotal material, the book itself feels like the un-fussy nature that one associates today with enjoying a cup of carefully prepared Camelia Sinensis, seated on a floor pillow or low stool in one of the many tiny, rustic tea rooms crammed one upon and next to another in Seoul’s Insadong antique district.
The contents of the book constitute a refined and expanded text developed from the “blog” presented by Brother Anthony on his website. The site contains an index, links to his articles in the Korea Times and other tea sites.) A “congratulatory” message from tea master Chae Won-Hwa, founder and head of the Panyaro Institute for the Promotion of the Korean Way of Tea, certifies the authenticity of sentiment and literal meaning of their words.
altarDuring Korea’s 19th – 20th century Colonial Period, the Japanese were happy to lay claim to Korea’s tea resources as they did the potters who were taken back to Japan to support their burgeoning Japanese tea culture in the 16th century. While some Koreans pride their culture as lacking the “fuss” usually associated with Japanese arts, this does not mean it lacks form or focus. From the growing of tea leaves and their processing for packing, to the preparation of self and leaf into beverage, Zen Buddhist philosophy – Seon Cha – as well as the courtly arts may be infused in every leaf and gesture.
Panyaro (“’Dew of Enlightening Wisdom”) green tea is meticulously grown on and hand-processed at a plantation near Bomgmyeong-san mountain in the southern area of Jiri-san. Chae Won-Hwa has formalized a rltual for preparation also, interpreting the manner taught to by her teacher, the Venerable Hyodang, head monk of Dasol-sa temple near Jinju. This temple is still a source of fine hand-made tea, and wild tea plants may be found along the mountain slopes.
Tea, like Korean cuisine in general, was also enjoyed in a courtly manner by ladies and gentlemen who attended the royalty, so naturally, there were appropriate embellishments, such as in the utensils and manner of offering the beverage to their Esteemed Majesties. Such external “fuss” may have been implied in the Los Angeles demonstration critique but the preparatory manner was clearly well-intentioned.
I have enjoyed very informal tea with Buddhist monks in Korea. A cloth-covered tray with small cups lined up next to a stack of small wooden coasters, a horizontal handled tea brewing pot, two lipped bowls for cooling, a source of hot water and a box of tea and good will is all that is necessary. We joked and he poured. Laugh. Pour.
It has taken Korean over 50 years to reconstruct and appreciate its own unique Way of Tea. The vast majority of Koreans would rather drink small paper cups of instant coffee prepared with creamer and lots of sugar and to sit at Starbucks or a French pastry cafe. Now, through the efforts of such men and women of tea, Korea’s cultural traditions are finding their way to a renaissance and broad interpretation.
While we’re waiting, we can enjoy a cup of tea. Hold the “fuss”.
 
monktea
Photographs: Lauren W. Deutsch
Copyright held by the author
(better images will be uploaded soon)

Two Leaves and a Bud: The Books of Tea


TWO LEAVES AND A BUD: THE BOOKS OF TEA

REVIEWS BY LAUREN W. DEUTSCH
KYOTO JOURNAL 71
Books on, about and of tea are as many and varied as the infusion of two leafs and a bud of camellia sinensis into a beverage. To that end, I offer the same configuration of tea tomes in review: a classic and a new volume. The “bud” has yet to be written.


Spirituality: Okakura’s Opus


The Book of Tea 
by Okakura Kakuzo (1905, Various current sources, including (free) http://www.gutenberg.org/etext/769)

The Book of Tea, by Okakura Kakuzô (Tenshin) (1862–1913), is perhaps the best known single volume purportedly about tea written and published in English. I never knew anyone who drank tea, except iced tea in the summer. Decades before I cared about anything remotely Asian, I noticed the popularity of mini-versions of this book in suburban gift shops (think Hummel porcelain collectable figurines, crystal bud vases, greeting cards, etc.). Sibling topics such as “Ode on a Grecian Urn” and “Love Poems for Mother” always could be found as last minute impulse items near the cash register. One could surmise that if the gift recipient’s knick-knack shelves were full, one of these tiny, tastefully appropriate literary gifts could get one off the hook.
By all accounts Okakura, was a highly-educated expert on the arts and cultures of Japan, as well as those of China and India. “The origins of Okakura’s Book of Tea” are disputed. Some scholars believe it was conceived at Okakura’s summer home in Japan in 1905. Others believe it grew out of a set of discarded notes from a lecture series delivered to a group of women at Fenway Court.”1 Yet another noted the lecture was ostensibly to clarify Japan’s position in the Russo-Japanese War2. It was published posthumously in 1913 and translated into Japanese in 1929. According to the Izura Bijitsukan, the Tenshin Museum in Ibaraki Prefecture, Japan, the title of the Japanese translation of the book is Cha no Hon, literally tea’s book.
These were exciting, chaotic, confusing and yet “romantic” times, where cultural “purity” often took a back seat to both colonial and indigenous impulses to conjure up “traditions” and to take advantage of misinterpretations to support specific personal or political agendas. Commodification of the ethereal and consumption of artifacts for the purpose of boosting one’s social status was equally rampant on both “sides” of the “pond”: hunger for things exotically Eastern in the West countered the rush to Western-style modernity in the East.
Okakura was well suited for the role of arbiter, or as that Texas tongue-twister, the not-soon-enough-to-be ex-president of the USA G.W. Bush would say, “the explainer”. He played a key role in fashioning the prism through which the “orientalization of Asia was constructed.”3 His presence in Boston, Massachusetts was as a consequence of the flood of cultural material, especially “fine” arts, that was leaking by from Japan and China into the USA by shiploads.
At the same time he conceived of an art movement that combined Eastern and Western sensibilities, he employed tea to establish and solidify his critical relationship with the “Queen of Boston”, Mrs. Jack (Isabella Stuart Gardner), the “millionaire Bohemienne”4 and doyenne of the abovementioned Fenway Court. Regardless of his specific literary capacities, his aim was more universal than crafting an owner’s manual to accompany the set of utensils for “stirred tea” that he gifted Mrs. Gardner. “Humanity has so far met in the tea-cup” he said, “… we await the great Avatar. Meanwhile, let us have a sip of tea.” The book / lecture does cover much of the essential spirit of the legacy of chado deeply set within Japanese culture.
It has been said that the man was completely capable of living with one mind fully in two worlds, that he could look at the East from the West and vice versa. And this is one of the criticisms of The Book of Tea: that it was written from that Western hemisphere of his brain. Despite the literal presentation of all those “teas”: spirituality, authenticity, universality, Japanese propriety, etc., he was really positing that “The East and West, like two dragons tossed in a sea of ferment, in vain strive to regain the jewel of life.” 5
His metaphor was so seamless that even my fellow but Japan-born chajins have a hard time discussing it. They likewise have extreme difficulty understanding why anyone not Japanese would invest over two decades to learn the art form. When I ask them why they were so dedicated, it is merely because they are Japanese.
 
Sustainability: Hohenegger’s Liquid Jade

Liquid Jade: The Story of Tea from East to West by Beatrice Hohenegger
(2006. St. Martin’s Press. New York.)
 
The second “leaf” of the pick is not merely the finger pointing at the plant, but the plant itself — yes, camellia sinensis in glorious profusion — bursting anecdotes about ancestors, encompassing provenance to politics and philosophies and, most importantly, asks pointed question about the sustainability of the product and those whose livelihoods are dependent upon it.
In Liquid Jade: The Story of Tea from East to West (2006, St. Martin’s Press, New York), author / historian Beatrice Hohenegger has packed an enormous amount of information into a trim, enjoyable read. She charts the complexities of intrigue, trade and substance of that precious, enigmatic “elixir and commodity” from the depths of East Asia through the West of present day. “The more I researched historical events, the more the story of tea became the story of traumatic encounter and clash of cultures between East and West,” she states.
One enjoys rambling through the compact account, jumping from the mythic accounts of the discovery of the East’s renown proprietary medicinal plant and seemingly magical properties, its adoption into and impact upon well-established cultural patterns and agencies. From there, tea joins other “exotic” prizes of the East, such as opium, porcelain, silk and spices in the manifests of Western traders. Her book offers “curiosities, obscurities, misnomers and facts”, from botany to various twists and turns of the leaf as it makes it way from bush to bag and beyond. From China everywhere else, Hohenegger furnishes historical anecdotes from numerous sources as well as period black / white engravings related to tea. It is the perfect counterpoint to a gathering of friends and the solitude of private meditation. Whether East or West or in between, this simple, singular plant has kept true to its promises most patiently.
Unlike other recent tea-themed books that are content to report a contemporary surge in popularity of the beverage and pin varietals to the world map, Hohenegger puts forth for readers’ consideration how contemporary multinational corporations have taken over where colonial powers left off, contributing to the impoverished conditions of both the tea-growing soil and its caretaking indigenous population. She poses possibilities of organic farming, fair-trade practices, including a detailed account of how a Canadian woman has taken on tribal politics in the fertile Upper Assam region of India — replete with racketeering, extortion and murders — to help a small, indigenous tea-growing clan, the Singpho, to not only learn to grow their tea in sustainable ways for the earth, but also to control the entire vertical aspect of production, from field to processing for export. “The balance to be achieved among the various social, economic and cultural components is fragile.” Through the author’s farsightedness, tea joins coffee, chocolate and other ancient foodstuffs on the list of the earth’s most precious bounty.
 ----------------
1 Breslow, Rebecca G. “Humanity in a Tea-cup: Isabella Stewart Gardner and Okakura Kakuzo”, Chanoyu Quarterly No. 85, Urasenke Foundation, Kyoto, 1996.
2 Inaga, Shigemi “Reconsidering Okakura Tenshin as the Inventor of Oriental Art History” Abstracts of the 1999 Association of Asian Studies Annual Meeting, Boston 1999 http://www.aasianst.org/absts/1999abst/japan/j-toc.htm
3 Nothelfer, Frank G., “Rethinking Okakura Tenshin” Abstracts of the 1999 Association of Asian Studies Annual Meeting ibid.
4 Breslow, ibid
5 Okakura, Kakuzo (Tehshin), The Book of Tea

Tea, Horses, Tourism & Trade


REVIEWS BY LAUREN W. DEUTSCH
KYOTO JOURNAL 71

The Ancient Tea Horse Road: Travels with the Last of the Himalayan Muleteers
by Jeff Fuchs (2008. Viking, Canada)

Tea and Tourism: Tourists, Traditions and Transformations
Lee Joliffe ED. (2007. Channel View Publications, Clevedon, Buffalo, Toronto)

Delamu
Tian Zhuangzhuang, director. (BDI Films/Japan Broadcasting Corp. (NHK) / Kuming Datongdao Film and TV/Beijing Time United Culture Developing Co.)


In every age there are celebrated corridors that clearly define the distance between “here” and “there”, while others connect “past” and “present”. One never knows where one is enroute unless there’s a reason to start, a reason to stop, or a path is crossed, intentionally or otherwise.

It was along such a route, the Internet, that I found Canadian photojournalist Jeff Fuchs. On one level of reality, he was virtually no farther than three clicks away from my home in Los Angeles California, at http://www.planetranger.com/vandor, where he was blogging with a fifth grade class in Ottawa Canada. In another, he was trekking deep in the Himalayas somewhere on the Chamagudao, (茶马古道), the Tea Horse Road, an ancient network connecting China to India via Tibet and Nepal.

The Tea Horse Road – the “Southern ‘Silk’ Route” -- is actually a two-branched thoroughfare with manifold tributaries some 2,350 kilometers in all. Its main branches – Yunnan to Lhasa and the other beginning in Sichuan – had been a major commercial trade route from the 7th century until 1950s, established by the Chinese who coveted sturdy Tibetan “war” horses for employment in their military exploits. In exchange Tibetans coveted tea, especially Pu’er, the “tribute” tea, which they enjoyed as beverage and for its medicinal purposes. Along the way other local commodities – salt, sugar and wild-crafted substances such as medicinal mushrooms, caterpillar casings (supposed to be an aphrodisiac) were actively traded.

In its Song Dynasty (960 – 1127 CE) heyday, Tea Horse Road trading posts saw up to 2,000 people a day carrying upwards of 7,500 tons of goods[1]. Unlike in Mongolia, where the “roads” themselves are nomadic, the venerable paths are well worn into the rocks as well as the current memories of myriad tribal peoples who have inhabited for generations the lands along the way.

No Westerners had personally participated in the movement of tea across 78 peaks, two of the world's highest plateaus and crossing the mighty Mekong (Lancang), Salween (NuJiang) and Jinsha (Yangzi) rivers that tracked through lush valleys. An experienced mountaineer in the Himalayas where he enjoyed collecting “mangled yak turd pies of tea” like others collect fine wine, Fuchs wanted to be the first Westerner to traverse the route’s entirety, formally only accomplished by legendary muleteers known as lados.

Fuchs explains that, unlike Marco Polo’s accounts of his trek along the Silk Route, this story heretofore has been entirely of Asian recollections. The trek, which began in from his base in Shangri-la in 2002, took seven months traveling by foot, horse, mules, automobile and even via airplane, the latter to facilitate quick transition between legs of the route.

He purposefully crafted his route out of sequence, by starting in the Tibetan regions, and thereby came “to appreciate the deeper effects of tea and its relationships with the isolated peoples of the mountains ... I had a first-hand taste of how little tea’s influence has diminished. I was able to see how crucial tea was to so many, and gain an understanding of the reasons for its valued longevity in lands far removed from the green leaf’s birthplace.” Thereby, Fuchs’ effort honors those whose lives depended upon the road by making his journey an end in itself.

His plans were outlined in the blog:

So much conflicting information on where the actual Yunnan Tea Horse Road is. There are many old caravan routes, postal routes, immigrant corridors, but only ONE Tea Horse Route ... some scholars have clarified where the exact route lies.

This project is dependant upon scholars, elders, legend, diligence and patience in no particular order, and up until now all has worked out.

From here [the Shangri-la base] we head deeper south to near the Laos/Yunnan border regions where the heart of the tea growing region exists. Traditionally Dai people grew and produced Puer tea for the purpose of transportation further north and into Tibet.

Later we head to Sichuan for the second major tributary of the Tea Horse Route, the aptly named "Sichuan Tibet Tea Horse Route". Here they transported Ya'an tea into Tibet although from what we've been told, Tibetans loved the Puer from Yunnan far more than the "shallow" flavoured Ya'an from (yes you guessed it) Ya'an.

The last and final segment will be a half jeep / half trek from Lhasa to Nepal and into northern India where we will meet with some of the oldest traders left in Kalimpong.

All is well and I suppose tea has taken over from the mountains as our guardian.

His generous online postings prompted real-time queries from his young correspondents in Canada: Does yak milk tastes gross? Why is juniper oil good for a safe trip? What is the caterpillar fungus used for? How was the frostbite cured? How did the people in the small villages respond to your technology (computer)? The blog compliments his recently published adventure-travel book, The Ancient Tea Horse Road: Travels with the Last of the Himalayan Muleteers.

The book goes into details on who and why Fuchs chose his trekking partners from among the tenacious Kham peoples – Eastern Tibetans – the most experienced mountaineers who could contribute local languages, had a range of trading and other social skills, and would provide good natured company while enduring life-threatening conditions, such as frostbite, bandits, snow-blindness and hunger.

Picking up local guides along the way proved helpful as the team needed to rely on the hospitality of small villages along the way as had the caravans for centuries before them. He relates how truly “civilized” life revolves around sharing of tea with a stranger, even in the underdeveloped, remote places of human existence. At every opportunity, the offering of tea was a universal sign of support for their effort. Fuchs kept a stash of Pu’er in his pocket during the most remote legs of the journey. Breaking off a piece from the brick and adding a bit of hot water immediately demonstrated the sincerity of his intentions.

Whenever possible he sought out meetings with the few venerable remnant tsompos, caravansary leaders, who were pleased to recount stories of their past and to offer routings and cautions about the locations and conditions of the paths. Some legs of the journey were local shortcuts hardly ever used anymore, other were completely covered by chest deep snow.

These men, the least of their breed, would be away from their families on the trail for months at a time in charge of schlepping their employer’s precious cargo with promises of payment backed by nothing more than gentlemen’s agreements. Their tales of competition for right-of-way along the single lane paths cut deep into the mountain bedrock or of “highway” robbers who would stop at nothing to claim a bit of cargo, are among the last first-hand accounts of a lifestyle long gone.

What information about the horses is lacking in The Ancient Tea Horse Road: Travels with the Last of the Himalayan Muleteers, it more than makes up for in discussion about tea. Fuchs’ knowledge of camellia sinensis is extensive and technical, yet his writing provides even the neophyte tea drinker a close understanding of how tea is grown / harvested and the manifold ways it is processed, transported and its relative value among other commodities. His stops in processing plants and ultimately tea shops give the reader a full understanding of what happens to the leaf from the plant to palate. Fuchs' wonderful photographs are unfortunately few in number and poorly reproduced in black / white and color in the book.

[A wonderful visual companion is Delamu[2], (Tibetan for “Peaceful Angel”) a documentary film by Chinese director Tian Zhuangzhuang.  It is very short on dialogue, and long on self-narrated cameo portraits by some of the people who live in the villages en route and gorgeous scenery along the Nijiang River Valley. It shows the love that the lados had for their mules (the film title is the name of one of the four-legged family members), the treacherous pathways and the need for extraordinary cooperation to make the route productive for all.]

As the ultimate tea tourist, Fuchs is sensitive about how tea has sustained cultures and the people in along the “Road”. Yang Fuquan, writing in the 2004 Newsletter of the Silk Road Foundation, concurs, noting “the road also served as a significant corridor for migration as well as a channel for cultural communication among the ethnic groups in western China ... beyond this it was a bridge for international cultural and economic exchange between China and India.”[3]

What’s next for the Tea Horse Road? According to “New Highways Revitalize Ancient Tea Horse Roads”[4], an online article by Jason Rush for the Asian Development Bank, “A new highway is connecting isolated rural communities with modern commercial corridors, and fostering new economic links that carry with them the potential to bring the people along the highway a new level of prosperity.”

In a way, nothing is new, more cyclical. In a distant echo of news from the first caravans, he recalls that in Man Mai village, “nestled in the Xishuangbanna region of the PRC’s Yunnan province, 19-year-old Ha Ge and his family own a field of ancient tea trees whose roots date back more than a thousand years. The tea from the trees is a highly valued commodity in PRC, and the family is seeing firsthand how expanded access to broader markets can change lives. Ha Ge and his community now can tap into regional markets willing to pay a premium price for Pu’er tea, bettering their lives in the process.”

The future also holds great prospects of tea tourism, hopefully sustainable tourism. While most adventure travel in China remains focused on the “exotic ethnic” peoples rather than tea, several English language tour operator are including a reference to the venerable route on their web sites. Dayan in Lijang, a noted tea site, has undergone such transformation and attracted domestic tourists; although its popularity is not due to its prominence in the tea trade.

While it is often compared to the northern “Silk Route”, which has been attracting international tourism, what is unique about the Tea Horse Route is that it is still very much, however barely, living history. Any effort to conserve should also sustain, if not improve, the people who live along its way and the earth which provides their nourishment.

In Tea and Tourism: Tourists, Traditions and Transformations, editor Lee Jolliffe not only presents articles that link the histories tea producing and consuming cultures (Fujian Province, Hangzhou, Sri Lanka, Kenya and Assam, in the first case, and the UK, Canada and the rest of China in the second), his colleagues look into the contemporary issues of how the resurgence of popularity of tea has given remote, underdeveloped regions a reason to considering investment in developing necessary infrastructure to establish a lucrative, tea-centric tourism-based enterprise.

In addition to promoting the route’s romantic exotic peoples, there’s money to be made welcoming eco-tourists to stalk wild tea bushes, visit plantations, gardens, processing facilities, markets and auctions. Other visitors – from the tea hobbyist to Asiaphiles -- can enjoy festivals and seminars, visit historic and artisan sites, such as pottery studios and enjoy cafes, buy souvenirs, stay in guest houses, etc.

Contributor Paul Leung Kin Han suggests that improvement of the roadway and development of tourism infrastructure might also mitigate rural poverty, especially at the small-scale village industry level, “facilitate natural environment preservation and cultural asset conservation” not just in China, but in every one of the 57 countries where tea is produced as a commodity. Tea tourism in China is developing among domestic as well as inbound visitors from abroad. A friend from Yunnan tells me that Taiwanese entrepreneurs are already building restaurants, cafes and hotels in the tea garden region.

Tea and Tourism contributor Hillary Du Cross suggests that the geographic complex of route and people and commodity might be added to world heritage lists as a “linear cultural landscape” or an asset of high national significance.

She also cautions that for the Chinese government to realize the value of the Tea Horse Road’s tangible and intangible cultural heritage assets of the route, national and international significance has to be documented.

In addition to anecdotal information, such as oral history and photographs gathered by Fuchs and his photojournalist comrades, extensive, accurate, detailed facts must be and researched and analyzed, whether for a town, a tea making process, a personality or the route itself, before any claims can be staked and governmental investments secured.

Fuchs’ book will not necessarily promote a run on Chinese embassy visa offices by tea-tipplers or even those with impeccable taste buds. It’s an account of a technical accomplishment, more of use to someone who has a topo map rather than one from the rental car company. However, in addressing the challenges to documenting if not also improving the lives of the current generation of folks who live along the Tea Horse Road today, time is of the essence. The World Monument Fund has listed the Sideng Market in the Shazi Valley (between Dali and Lijang) on the list of the 100 most endangered World Monuments, as the “last intact ‘caravanserai-like’ stopover in China.” Fuchs’ first-hand impressions may be among the last.

Excerpt 
The Ancient Tea Horse Road: Travels with the Last of the Himalayan Muleteers by Jeff Fuchs

As we slipped down a Simaon tea alley in the tropical heat, a stern teahouse hostess invited us into her shop with a forcible hospitality more common to Tibetans than the Chinese or minority tribes. The alley consisted of neat rows of nearly identical teahouses that opened onto a walkway. We were in the realm of tea purism; such alleys were visited by addicts rather than by tourists. The shop we now found ourselves in was a small tidy room with a tea table that took up a good quarter of the space. The room smelled of dried tea, and every bit of space was occupied by bags of tea, stacks of dry tea cakes, a shelf of vintage tea, loose leaf tea, bricks of tea, and poorly printed photographs of tea fields. While most teahouse owners engaged themselves with card games or television, this woman appeared to have deemed herself responsible for educating the two foreigners in the ways of Puer, and it was her intensity that drew us in.

In the Simao Prefecture, tea was not only enjoyed by revered, used in ceremonies and purchased not by the gram but by the kilogram. Here there was a ritualistic aspect to tea, in both its preparation and its consumption, whereas in the Tibetan regions it was a basic ingredient of life, one that nourished and warmed. But we were far from the rough ways of Tibetan tea etiquette. I tried to imagine a tall, raw-boned Khampa encased in a chupa – a long wool coat – and pleated hair sitting next to us, with these delicate ornaments and discussions of tea-drinking etiquette. Although his meaning of tea might differ, its importance and value would be the same. ...

Simao had been a centre of tea cultivation for thousands of years, and Simao’s tea had been making its way to Tibet for more than thirteen hundred years. Even in china, tea purists referred to the area as the home of tea. Simao’s climate and altitude is perfect for growing that oddly named and most unusual of teas, Puer. Tea, its production, its culture and particularly its consumption were all of the utmost importance in Simao. First consumed as a medicine and as a food, tea was originally referred to as tu, meaning bitter herb, before becoming known from the eighth century onward as cha – tea. It has always been integral to the lives and diets of Yunnan’s ancient Tibeto-Burman lives. (p. 150-1)

Ya’an, the beginning of the Sichuan-Tibet Tea Horse Road ... had once been the home to horse markets and the dreaded ax officials. Whereas the deep south of Yunnan had been largely in the hands of the ethnic minorities, Ya’an has always been a Chinese stronghold. Simao and Puer in  Yunnan were the southern-most points visited by lados; Ya’an was the most easterly. ...

Teas from Ya’an were readily available in Lhasa, sold in their recognizable long woven bamboo containers, though the tea themselves were completely different in shape, colour and type from the Yunnan Puers. They had long been imbibed not only in Tibet but in all the frontier regions for as long as the caravans had been carrying tea. We were in the land that became the largest producer of teas for  Tibet, home to the “Celestial” green tea of Mengshan and of the famous bian cha, the frontier / borderland tea. It was also an area where the local governments held a monopoly on the export of tea, controlling the completely the production and trade of the green.  ...

The porters carried much of the tea, piled high on their backs, treading along the mountain paths that led from the tea towns around Ya’an to the main markets of Kangding (Dartsendo to Tibetans). Many died tumbling off cliffs, tied to their tea. Merciless treks in bamboo sandals, carrying hundred-kilogram loads of tea for weeks on end – the porters’ stories were the stuff of legends. And like the lados, there were fewer and fewer porters still living. (p.184, 185)



[1] http://www.chinaexpat.com/article/2007/04/11/history/ancient-tea-horse-road.html
[2] A BDI Films/Japan Broadcasting Corp. (NHK)/Kuming Datongdao Film and TV/Beijing Time United Culture Developing Co. presentation of a BDI/Beijing Time United Culture Developing Co. production. Produced by Takahiro Hamano, Yang Zhao. Executive producers, Lui Zhao, Hao Li, Toyohiko Harada. Co-executive producer, Nobuo Isobe. Directed by Tian Zhuangzhuang.
 [3] Fuquan, Yang, “The ‘Ancient Tea and Horse Caravan Road,’ the ‘Silk Road’ of southwest China” http//www.silkroadfoundation.org/newsletter/2004vol2lnum1/tea.htm
[4] http://www.adb.org/Media/Articles/2008/12430-mekong-roads-developments/ Also on that site is the fast action video, Closing the Gap: Highway 3 Kunming to Bangkok http://mms.adb.org/Media/Video/GMS/gms-route3.wmv/, and slide show, Revitalizing the Tea Horse Road http://www.adb.org/Documents/Photos/GMS/Tea-Horse-Road, both worth watching.