Senke Jissoku is a now well-recognized name of a group of 10 multi-generation famlies that have a closely working relationship with the 3 (san) Senke families that trace their lineage directly to Sen no Rikyu: Mushakouji Senke, Ura Senke and Omote Senke. While there are many other craftspeople whose work has long or even more recently been patronized by these tast-makers, as well as other chanoyu lineages that have patronized the craftspeople, these 10 are formally afforded a special relationship as a group in formal ceremonies and death anniversaries of past Senke grandmasters. The number of craftsmen (usually male lineages) used to vary depending on the family branch, but this distinction came about as a result of a group exhibition staged by and at the Mitsukoshi Department Store branch in Osaka in the Meiji period (1919).
Raku Kichizaemon X V 樂吉左衛門
Chawanshi (potter for chawan and other ceramic ware) 茶碗師
(Interesting that this blog did not have a short paragraph about Raku. This is from the 2016 catalog from the Raku Museum.)
Raku is one of many low-fired ceramic traditions around the world. It has its roots in Ming dynasty three-colored sosansai) wares from Fujian province in China. The tea bowls fashioned by a potter named Chojiro during the Azuchi-Momoyama period in the last 16th century marked the dawn of Raku Ware. There exists little or not detailed documentation of the relationship between Chojiro and Rikyu; however, Chojiro’s independent creative spirit has been preserved thereaafter throughout generations and centuries of the Raku famly. Each new generation has developed his own distinct style, who;e at the same time honoring the timeless traditions and knowledge handed down from father to son for over 430 years.” The current head of the family is the 15th generation. His son Raku Atsundo is quite productive.
Raku is one of many low-fired ceramic traditions around the world. It has its roots in Ming dynasty three-colored sosansai) wares from Fujian province in China. The tea bowls fashioned by a potter named Chojiro during the Azuchi-Momoyama period in the last 16th century marked the dawn of Raku Ware. There exists little or not detailed documentation of the relationship between Chojiro and Rikyu; however, Chojiro’s independent creative spirit has been preserved thereaafter throughout generations and centuries of the Raku famly. Each new generation has developed his own distinct style, who;e at the same time honoring the timeless traditions and knowledge handed down from father to son for over 430 years.” The current head of the family is the 15th generation. His son Raku Atsundo is quite productive.
Onishi Seiwemon 大西清右衛門
Kamashi (tea kettle maker) 土風炉師
The Onishi family is a family of Kyoto tea kettle makers, whose work has continued for over 400 years, from the latter half of the Muromachi period. The fourth generation head of the family called himself Seiwemon, and from the sixth generation, excluding the ninth, all subsequent family heads have inherited the name. Their shop is found in the Sanjo-kamanza area in Nakagyo-ku, Kyoto. The current head of the family is the 16th generation of Seiwemon.
Nakamura Sotetsu 中村宗哲
The Nakamura family is a family of lacquerers, whose work has continued for almost 400 years. Originally, they made furniture decorated with gold or silver lacquer (called Tsurei nushi), but starting in the Meiji period they became specialized lacquerers for tea ceremony utensils. In 2006, the second daughter of the 12th generation Nakamura Sotetsu inherited the name to become the 13th generation Sotetsu.
Komazawa Risai 駒沢利斎
Sashimonoshi (wood joinery / carpentry) 指物師
The professional name inherited through the generations by carpenters, who are purveyors to the san-Senke, and who manufacture shelves, incense containers, and fireplace frames, among others. After the death of the 14th generation family head in 1977, the position has remained unfilled for a long time, and currently, Yoshida Hirozo, the son of the 14th generation master's nephew, is undergoing training to inherit the line.
Nakagawa Joeki 中川浄益
The name inherited by each generation of the head of the Nakagawa family, a family of hardware makers. Originally, they made armor in Echigo province, but the first generation to try his hand at making tea ceremony utensils, Nakagawa Kojuro, took up the name of Joeki, albeit using different characters, and from the second generation, the same name of Joeki (spelt with the current characters) has been used. The current head of the family is the 11th generation Joeki.
Yuko Tsuchida 土田友湖
Fukuroshi (textile articles, utensil covers) 袋師
One of the ten occupations for Senke. From the second generation, the head of the family is referred to as "Hanshiro", and becomes Yuko when he retires and shaves his head. Up until the fifth generation, they made shifuku (silk pouches for holding tea caddies), but since then, have been making fukusa (small cloths for wiping tea utensils) and sashes for men's kimonos in addition to shifuku. The current head of the family is the 12th Tsuchida Yuko.
Okumura Kichibei 奥村吉兵衛
Hyogushi (scroll mounter and paper products) 表具師
Washi, Japanese paper, has many applications in the setting of chanoyu. In addition to mounting scrolls, paper is used on doors (fusuma and windows), as well as (pictured) pads of decorative paper used for kami kamashiki (kettle rests). The current generation is the 12th.
Hiki Ikkan 飛来一閑
Ikkanbari saikushi (lacquered papier-mache maker) 一閑張細工師
The name used by ikkanbari saikushi through the generations. The founder of ikkanbari in Japan, one of the types of lacquering, it is a lacquering family that has supplied the Senke through the ages with utensils lacquered in the ikkanbari method, such as tea caddies and incense containers. The current generation is the 16th, and along with the 12th generation of Sotetsu Nakamura, is one of the rare examples of a female head of Senke jissoku.
Kuroda Shogen 黒田正玄
Takezaiku (bamboo crafter) / hishakushi (ladle maker) 柄杓師
The name inherited through the ages by the family of takezaiku / hishakushi. Apart from ladles, they make tea ceremony utensils such as stands, incense containers, and flower vases, out of bamboo, and have delivered their works to the Senke. The current generation is the 13th.
They do not make chasen! This would seem to be a huge omission. My informants tell me that it is because one uses a new chasen each time. Seems odd that the iconic utensil for chanoyu is not made by a famous craftsman.
Nishimura (Eiraku) Zengoro 永樂善五郎
Doburo yakimonoshi (potter of braziers) 土風炉師
Ceramic artists adept at making braziers used atop tatami mat and tea bowls. From the first to ninth generations, they named themselves Nishimura, and mainly made braziers that hold charcoal fires. From the tenth generation, they have called themselves Eiraku, and make tea cups in addition to braziers. The current generation is the 17th.